May 8th, 2016.

CMSA;I would have to call my painterly outlook at the moment pretty dark...hard not to be, as i'm taking inspiration from somewhat traumatic events and conditions of my early childhood....not to say that my childhood was particularly traumatic except for from the tiny perspective of the small child i was at the time. i'm afraid i'm also a believer in "van gogh syndrome"; that artists tend toward melancholy as one of the unpleasant side effects of the hypersensitivity that made them artists in the first place...i also think that "happiness" is not a state i will ever stay in for any length of time but i do feel it as one extreme in a continuum of emotions that i am constantly cycling through.. Not saying this is true of every artist, just me and a few of my friends....i'm adding here a response from today's art angel Carlin Diamond; "I call it divine discontent, the prod to finer expression of the deep stirrings rising from the bottom of the pot..an absolutely necessary ingredient in the fabric of one's artistic soul comes forth to be included." yeah, Carlin Diamond...what you said!

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May 3rd, 2016.

CMSA; wip..3rd day, more of the same; another few glazes and a few super white passes..always wet over dry...but i krylon between layers to make it faster..

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May 2nd, 2016.

CMSA; STARTING ANOTHER; so far semi transparent ground with pencil drawing , starting the first application of "super white" (super opaque, super strong, super bright super fast drying ...) all sealed with krylon to make a slick, slippery ground. cynda valle, WIP

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April 22nd, 2016.

CMSA; another glaze layer, another "rewhite".. maybe halfway... i don't know if other glazers do this or just me; i always do the most layers/glazing in focal areas..i'm appplying the rewhite as opaquely as possible using a stipple tech, for this one cuz of the texture of dress..usually i do a dry brush to apply the white.check out very close up if you get a chance one of my fav painters Remedios Varos, who appears to make her underpainting from a tiny whitepm crosshatching. wanna learn? may 12 thru 15 at the los angeles brewery...please share with anyone you think might be interested...thanks! cynda

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April 21st, 2016.

CMSA;next steps for undrpainting glazing on this small painting (8x14 inches) ; i struggled and experimented endlessly over the years for an effective underpainting for glaze layers; i was almost 54 when a facebook friend and awesome Los angeles painter (he and his pals are putting representational art back into the fine art commercial system) ; F Scott Hess (i always wonder what the f stands for) generously shared the secret to glaze underpaiinting that i had been missing.. solves the issue of glaze layers piling up to a too dark color...the secret is you just keep reintroducing and building up the white underpainting after EVERY GLAZE LAYER...IF THE LAYERS ARE PRODUCING TOO DARK A COLOR. IT'S CALLED MIXED WHITE (THOUGH ENGLISH IS NOT THE ORIGINAL LANGUAGE OF THE NAME) IT COMEs FROM EUROPE WHERE SCOTT GOT THE TRADITIONAL painting TRAINING THAT I MISSED HERE IN THE STATES; PHOTOS SHOW: 1: ORIGINAL UNDERPAINTING WITH FIRST GLAZE LAYERS, 2. SHOWS REWHITE ON TOP OF THE DRY FIRST GLAZE . 3: SHOWs A DETAIL OF THE FIRST REWHITE STEP..I EXAGGERATE THE COLOR AND THE CONTRAST AT THIS POINT..WANNA LEARN THIS TECHNIQUE AS WELL AS IMPRESSIONIST ALA PRIMA PAINTING? it is way easier to understand and it makes perfect erganomic sense if you see it done as opposed to reading about it. .. WORKSHOP COMING UP HERE AT THE BRWERY STUDIO IN LOS ANGELES : 4 FULL DAYS $300.00 BEGINNERS WELCOME BUT SOME ESPERIENCE WITH ARTMAKING IS An ASSET...as you can see, the ability to spell and use proper grammer is not required

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April 20th, 2016.

CMSA; OIL PAINTING WORKSHOP SUMMER SCHEDULE;
WORKSHOP COMING UP; MAY 12 THRU 15 IN LOS ANGELES; WILLITS; JUNE 9 AND 10 AND UKIAH; SEPT 16 AND 17...SIGN UP: LIMITED ENROLLMENT..PM ME!!! THIS IS AN OLD (26 YEARS)PAINTING OF MY WEDDING DRESS, WHICH I PAINTED MANY TIMES..."CYNDARELLA" OIL ON CANVAS 1990
HEY FB FRIENDS; WILL YOU SHARE???THANKS C

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April 19th, 2016.

CMSA;WIP Still on the underpainting; Super white on a dry thin ground...WORKSHOP COMING UP; MAY 12 THRU 15 IN LOS ANGELES; WILLITS; JUNE 9 AND 10 AND UKIAH; SEPT 16 AND 17...SIGN UP: LIMITED ENROLLMENT..PM ME!!!
HEY FB FRIENDS; WILL YOU SHARE???THANKS C

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April 18th, 2016.

CMSA; In Los Angeles at the brewery; New oil painting workshop scheduled May 12 through 15 !!!!!!!!!!!! limited to 6 students, first come first served $300 tuition....#1Kryloned pencil sketch, #2 wet ground; fastmatte transparent red earth #3 Mapping light with fastmatte tit. white (super white, very bright and opaque), and adjusting drawing ( i always have proportional issues making giant heads!! trying to shrink this one...so jealous of males, who seem to be fundamentally better at proportions.. 16x12 cynda valle

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April 15th, 2016.

CMSA; MUSEUM 'O CYNDA; over the last 40 i've given my fjrst and most faithful patroness; (mom doris valle, 94) most all the paintings that feature family members...as a way of holding on to them and she loves having them....glad i did this...these are just a few...when i started painting large, i switched to givng her prints..

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April 11th, 2016.

CMSA; hey face book friends...if you're my friend it's likely cuz you're into art and if that's the case...you might find that; YOUR MOM WOULD REALLY LIKE TO PAINT FOR HER MOTHERS DAY GIFT...BUy HER A 4 DAY WORKSHOP WITH ME..ONE FORMING NOW FOR EARLY MAY...PM ME OR CHECK cyndavalle.com and click on teaching !!!!!!!!!!!!!!!!BUY HER OIL PAINTING FOR MOTHERS DAY!!!!!!SHE DESERVES IT!! oil sketch of Cheri Valle by Cynda Valle Rogers.. my sister collected antique dresses...we seem to be genetically predisposed to like dresses...weird huh?

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April 11th, 2016.

CMSA WIP Today's challenge was several passes at a tiny head (1.5 inches +/- ) I love painting miniature scaled people: all the metaphysical and mythical references to tiny people; fairies, elves, tinkerbell, lliliputians, trolls, etc etc...wet into wet

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April 10th, 2016.

CMSA; about to schedule a 4 day workshop for people who have painted before but have never had instruction, or atleast not in oil...spend two days on underpainting/glazing, 2 days on ala prima (a more direct, wet into wet method)..click on teaching at cyndavalle.com for details, let me know if you're interested..$300 for four days, at my studio (los angeles brewery artist lofts)..probably scheduling 4 consecutive days end of apr...thurs thru sunday

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April 9th, 2016.

CMSA; WIP; Cynda Valle; Oil sketch/underpainting done...i think of working these sketches up like a photo print in an old school developing bath..as i become surer of the drawing and proportions i up the strength of the values...image slowly evolves...using neo meglip so all will be dry and ready for more tomorrow...

 

 

CMSA WIP;here we go again, small, wet into wet...except in this case the ground happens to be a dry one i had lying around; MY FAVE; GAMBLINS TRANSPARENT RED EARTH...YUM . "Super white" and cobalt, ultramarine blue on dry trans ground. Subject is mendocino family who routinely hunt for meat and sport; gun is real and pink, it's not loaded and toddler has begun training and instruction in safe usage. Tablet and painting gridded into 4 parts...

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March 24th, 2016

CMSA; this morning as i was outside soaking up some vitamin d, I noticed a fly in a small patch of light right next to me..i wondered why she would stand in the sun like that where she was clearly visible to any passing predators. I figured it out seconds later when another fly landed on her and attempted fly sex. It only lasted a second or two but the minute she was mounted the first fly tried to shake him off, she tried (unsuccessfully) to fly with his added weight. She seemed like such an unwilling participant i was surprised to see, when fly number 2 released her, that she didn't fly away, but stayed in that same spot of sunlight awaiting his return, or more suitors??? I've seen this same scenario take place with the chickens and the cows and all the animals we lived with in Potter Valley (middle of nowhere , norcal)... This seems to me a wonderful expression of the sexual ambivalence many humans suffer from: To seek connection while, at the same time, avoid loosing freedom and autonomy...